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ABBATISSA INGENUITATE PRECIPUA - The Proceedings of Scientific Colloquium "The 950 anniversary of the Benedictine Monastery of St. Mary in Zadar (1066-2016)" (CROSBI ID 14215)

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ABBATISSA INGENUITATE PRECIPUA - The Proceedings of Scientific Colloquium "The 950 anniversary of the Benedictine Monastery of St. Mary in Zadar (1066-2016)" / Vežić, Pavuša ; Josipović, Ivan (ur.) Zadar: Sveučilište u Zadru ; Benediktinski samostan sv. Marije u Zadru, 2020

Podaci o odgovornosti

Vežić, Pavuša ; Josipović, Ivan

Berković, Janet ; Mlađenović, Sandra

engleski

ABBATISSA INGENUITATE PRECIPUA - The Proceedings of Scientific Colloquium "The 950 anniversary of the Benedictine Monastery of St. Mary in Zadar (1066-2016)"

Three years ago (2016) we commemorated the 950 anniversary from the year one thousand sixty and six, as it was written in the famous Šibenik charter by which Krešimir, the King of Croatia and Dalmatia, granted royal freedoms to the Abbey of St. Mary of Zadar. Prior to that, the city leaders gave the small church of St. Mary Minor to Abbess Cicha to found an abbey next to it. With this in mind, the University of Zadar, together with the nuns and the Zadar Archdiocese, organized a scientific colloquium that was held in the church of St. Mary Minor, on 27th October 2016. This book of proceedings includes papers based on the topics of presentations held on this occasion, and bears the title Abbatissa ingenuitate precipua (“An abbess most generous”), as our abbess was referred to in two places in the abbey’s cartulary. The authors write her name as Cika, Čika or Cicha. On the whole, half a century after the proceedings from 1967 were published by the then Institute of the Yugoslav Academy of Sciences and Arts in Zadar, called Cultural Heritage of the Monastery of St. Mary in Zadar, the insights presented in these proceedings are a step forward in relation to previous information about the abbey’s first abbess and her church. A social analysis leads us back to a time when the position of authority was held by the successors of Prior Andrija, a circle which supported King Petar Krešimir IV in Zadar. This interpretation casts new light on the role of this ruler in the abbey’s foundation (M. Ančić). The ties between the Kingdom of Croatia and Dalmatia and the Order of Saint Benedict were very strong, as evidenced by a number of abbeys for nuns and monks that were founded at the time, including the one in Zadar, according to its cartulary (Tomislav Galović). The first part of this historical source is the deed of foundation. It outlines general circumstances under which the abbey developed, its immediate social and urban framework, a pre-urban picture of the city formed around the ancient forum, where the abbey of St. Mary still stands (Mirjana Matijević Sokol). How strongly Cicha was committed to consolidating material belongings in the newly founded abbey can be seen from the legal dispute of the abbess with her aunt Neža (Milenko Lončar). Cicha’s breviary on the other hand is a testament of her efforts to accumulate spiritual wealth. It refers to the cult of St. Anastasia which was propagated in local tradition and was probably unknown outside Zadar (T. Vedriš). A testimony of this can be found in the architectural features of Cicha’s church whose spatial proportions point to Early Christian basilicas in Zadar. However, they bear a special mark: acantus spinosa capitals, unique to the Adriatic culture circle in the 11th century, which may have resulted from previous Aegean influences in the Adriatic region (Pavuša Vežić). Particularly stimulating were the artistic sparks flying in the northern Adriatic, impacting the Kvarner archipelago and the Zadar area. The sculptural works from this milieu include Corinthian capitals from the colonnades on Cicha’s basilica as well as relief friezes as a separate decoration on its façade (Nikola Jakšić).

Proceedings of the Scientific Colloquium, The 950 anniversary, Benedictine Monastery of St. Mary in Zadar

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Podaci o izdanju

Zadar: Sveučilište u Zadru ; Benediktinski samostan sv. Marije u Zadru

2020.

978-953-331-315-3

144

objavljeno

Povezanost rada

Povijest umjetnosti, Povijest