engleski

Deconstructing Cholaje in Peruvian and Bolivian Cinema

In this paper the author executed the aimed deconstruction of cholaje in Ukamau and The Milk of Sorrow using a formal, stylistic and visual analysis of the film material. Implying the notion that cholaje becomes a negative, corrupted and oppressive ideology in the films narrative the paper highlights the indianismo as the subversive product of that deconstruction. Both of main characters, Mayta in Ukamau and Faustain The Milk of Sorrow are represented as the inaugurators of the emancipation inside the indigenous community that resulted from the liberation from the restrains and ideological issues of choleje. Although they belong to different artistic and aesthetical traditions of Latin American cinema, two films become linked with the notions of deconstructed cholaje revealed through the research and with appended context of indianismo.

cholaje ; indianismo ; acculturation ; oppressed ; mestizaje ; emancipation

nije evidentirano