engleski

A New Contribution to Trecento Painting at Strossmayer Gallery in Zagreb

In honour of Igor Fisković, the authors of the article re-consider a small but noteworthy group of Italian 14th century paintings at the Strossmayer Gallery: Crucifixion (fragment) from the Circle of Bernardo Daddi, Temptation of Saint Anthony the Abbot by Niccolò di Pietro Gerini, Saint Nicholas with Donors and Angels by Maestro di San Martino a Mensola and Saint Francis of Assisi by Lorenzo di Bicci, which had been previously presented at the 9th Days of Cvito Fisković, based mostly on critical analyses of relevant literature. Now, through the prism of new research into the provenance of the works of art, the authors sought to show the variety of ways in which not only rich historiography but also the vivid afterlives of four Trecento paintings obtained for the Strossmayer Gallery in different periods and under different circumstances, as well as fortuna critica and the fate of their counterparts, reflect the changes in the perception and the reception of Trecento painting in the second half of the 19th Century and throughout the 20th Century.

Strossmayer Gallery of Old Masters, Italian Trecento painting, Bernardo Daddi, Niccolò di Pietro Gerini, Maestro di San Martino a Mensola, Lorenzo di Bicci, Kunsthandlung Julius Böhler, provenance research, history of collecting

nije evidentirano