engleski

Church feast [ kermis ] of St Roch - contemporary folklore on stage

The author's attempt is to answer (using self-reflection as a form of methodological approach) the questions about field research, the methodological and epistemological starting-points, and the roles of choreographer, performers and "specialist". Carrying out a different set of positions, he discusses the authorship, the role of ethnochoreologists and ethnologists in the creation of the "specialist", and the public's judgment on the "appropriation" of staged representations. There is also a mention of the "specialists'" fear of opening the "Pandora's box" in the presentation of contemporary choreographic arrangements and therefore putting them all together into a category of "unskilled type presentations". / Analizirajući i određujući vlastiti položaj prema promatranome primjeru scenske postave suvremenoga proštenja, autor odgovora na pitanja o polju istraživanja, o metodološko-epistemološkim polazištima, o identitetima koreografa, izvođača i stručnjaka. Iznoseći različite stavove sudionika, postavljaju se i pitanja oko autorstva te ulozi etnokoreologa i etnologa u stvaranju stručnog, pa onda i javnog stava o "primjerenosti" scenskih prikaza. Navodi postojeći strah stručnjaka od otvaranja "Pandorine kutije" suvremenih koreografskih zahvata, uslijed kojega ih najčešće svrstavaju u kategoriju "nestručnih" prezentacija.

folklor; festivals; authenticity/conteporarines; Croatia

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