engleski

Geometric abstraction in the Croatian Art of the 1950s'. The Troubles of Reception

Overestimated, even labeled as the first post-war neo-avantgarde, geometric abstraction apperaed in Croatian art at the beginning of the 1950s'. The text gives a thorough analysis of the critical reception concerning geometrical abstraction, forgrounding its strong ties with the changes in State intenational policy, and social transformation induced by the ideological project of "self-managing socialism".

croatian moden art, cold war, 1950s', geometric abstraction, art criticism, legitimation, Marxism, aesthetics

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