hrvatski

Citatnost u djelima Ante Jerkovića

Quoting of text, and colours as well, make a part of Anto Jerkovics idiolect. Because, as D. Oraić Tolić would put it with him quotability aquired a form of intertextuality, in wich a citatiry relation becomes a profound ontological semiotic principle. Actually, we may speak of an semiotic and aesthetic function of the art that creastes a new visual world, a paralel linguistic world, as in all similar cases. This function has a presenttational character, because it destroys the existing rules and introduces the new ones, of its own. Anto Jerkić combined former efforts of reching mental states in a prayer, expressed in form of a picture. He reduced them to two essences expresed by two colours: blue - a sybol of eternity, and golden - a symbol of materialisation of thought, or of light. Thus he created painting as a form of a prayer, and gave the prayer a form of a picture.

Ante Jerković; suvremena umjetnosti; citatnost intermedijalni koncept; ontološka semiotička estetika

nije evidentirano