engleski

Pictorial into Conceptual and Reverse

Russian filmmaker S. Eisenstein tried to envision a film that would function as treatise (Marx' Capital). Basic device would consist in an attempt to find the means to give a film a diagrammatic structure. The possibilities and limits of diagramatisation in is investigated, and quite common actual type of conceptual, discoursive film - 'single concept film' by Radovan Ivancevic - is analysed.

film theory; pictorial; conceptual

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