Nalazite se na CroRIS probnoj okolini. Ovdje evidentirani podaci neće biti pohranjeni u Informacijskom sustavu znanosti RH. Ako je ovo greška, CroRIS produkcijskoj okolini moguće je pristupi putem poveznice www.croris.hr
izvor podataka: crosbi

British Brutalism, the "New European Drama", and the Role of the Director" (CROSBI ID 124056)

Prilog u časopisu | izvorni znanstveni rad | međunarodna recenzija

Nikčević, Sanja British Brutalism, the "New European Drama", and the Role of the Director" // NTQ. New theatre quarterly, 21 (2005), 3; 255-272. doi: 10.1017/S0266464X05000151

Podaci o odgovornosti

Nikčević, Sanja

engleski

British Brutalism, the "New European Drama", and the Role of the Director"

The explosion of new theatre writing in Brittan during and since the nineties contrasted with a death of original plays on continental Europe east and west. Sanja Nikcevic attributes this in part to the dominance over the previous decades of the role of leading directors, who increasingly sought out raw materials to shape production conforming to their own or their company's ideas. She traces the attempts in a number of countries to correct the imbalance by encouraging new writing through worships and festivals - yet also how the explosion and importation of the British 'in-your-face' style then affected the kind of new writing that was considered innovative and acceptable at such events. She argues against the claims made for the political significance of plays such as Sarah Kane Blasted suggesting rather that the acceptance of the normality of violence without reference to its social context negated the possibility of remedial action.

British drama ; European theatre ; European drama ; theatre directors ; playwrights

nije evidentirano

nije evidentirano

nije evidentirano

nije evidentirano

nije evidentirano

nije evidentirano

Podaci o izdanju

21 (3)

2005.

255-272

objavljeno

0266-464X

10.1017/S0266464X05000151

Povezanost rada

Filologija

Poveznice
Indeksiranost