njemački

Technische und okkulte Medien in der modernen Massengesellschaft - Über Döblins Großstadtroman "Berlin Axanderplatz"

It is Berlin, however, which is the focus of Tomislav Zelić’ s essay on the German modernist writer Döblin. His 1929 novel Berlin Alexanderplatz is discussed in relation to experiences of natural and supernatural shock encountered by its protagonist, Biberkopf, an everyman. The “ cinematic” style which the author sought is held here to its literary framework, and the self-reflexive nature of the text’ s address to the novel form itself is viewed as the meta-narrative’ s modernist project.

velegradski roman; moderno društvo

nije evidentirano

hrvatski

Technische und okkulte Medien in der modernen Massengesellschaft - Über Döblins Großstadtroman "Berlin Axanderplatz"

It is Berlin, however, which is the focus of Tomislav Zelić’ s essay on the German modernist writer Döblin. His 1929 novel Berlin Alexanderplatz is discussed in relation to experiences of natural and supernatural shock encountered by its protagonist, Biberkopf, an everyman. The “ cinematic” style which the author sought is held here to its literary framework, and the self-reflexive nature of the text’ s address to the novel form itself is viewed as the meta-narrative’ s modernist project.

velegradski roman; moderno društvo

nije evidentirano

engleski

Technological and Occult Media in Modern Mass Society: on Döblin’ s City Novel "Berlin Alexanderplatz"

It is Berlin, however, which is the focus of Tomislav Zelić’ s essay on the German modernist writer Döblin. His 1929 novel Berlin Alexanderplatz is discussed in relation to experiences of natural and supernatural shock encountered by its protagonist, Biberkopf, an everyman. The “ cinematic” style which the author sought is held here to its literary framework, and the self-reflexive nature of the text’ s address to the novel form itself is viewed as the meta-narrative’ s modernist project.

city novel; modern society

nije evidentirano