engleski

Professione: nostalgia. The Cinema as Double in Antonioni and Tarkovsky

Starting from Derrida's notion of the present as simultaneously differing from itself and divided within itself, the paper analyzes the self-reflexive nature of re-presentation in two films involving the figure of the double in terms of their respective reflexions on cinematic figuration itself.

Double, Antonioni, Tarkovsky, Difference, Representation

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