engleski

Cathedral of the Assumption of Mary, Dubrovnik

1671–1713 Religious architecture, an Early Baroque nave and two-aisle longitudinal church with side chapels, transept and dome over the crossing Designer: Andrea Buffalini (active c. 1671–1713) ; master builders: Paolo Andreotti (active 1671–1674), Pier Antonio Bazzi (active 1677–1678), Tommaso Napoli (active 1689–1705), Ilija Katičić (1647–1728) ; sculptor and architect: Marino Gropelli (1662–1728) ; stuccowork: Carlo Degli Frangi [n.d.], Valentino Vissani [n.d.] ; painter: Petar Matej[n.d.] Dubrovnik Cathedral (1671–1713) was the first innovation in town planning and architecture in the reconstruction of Dubrovnik after the disastrous earthquake of 1667. Construction of the new cathedral was on the foundations of the former one, with works overseen by the city senate led by Abbot Stjepan Gradić. Gradić commissioned the plans in Rome and confided management of the construction to a number of excellent Italian architects. With its Early Baroque features, this nave and two-aisle basilica with side chapels, transept and dome over the crossing, united the contemporary architectural influences of Rome, Northern Italy and Sicily.

Dubrovnik; Baroque; cathedral; Stjepan Gradić; Andrea Buffalini

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