engleski

Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon

This chapter demonstrates how the concept of the cinematographic works as a literary concept in modernist and postmodernist fictions. In Shoot! the cinematographic becomes the framework for rethinking the relations between humans and machines, as the literary and the cinematographic affect and contaminate each other. Likewise, in Gravity's Rainbow the cinematographic and the novelistic, and all the values attached to both, spill over into each other, further destabilizing ontological differences between 'real' and 'mediated' worlds, as these worlds interact with, and collapse into each other.

Pirandello, Pynchon, cinematography, literature

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