Juraj Križanić, His Treatise "De Musica" (1663-66), and His Remarks on Various Performing Practices (CROSBI ID 226471)
Prilog u časopisu | izvorni znanstveni rad | međunarodna recenzija
Podaci o odgovornosti
Tuksar, Stanislav
engleski
Juraj Križanić, His Treatise "De Musica" (1663-66), and His Remarks on Various Performing Practices
The Croatian polymath Juraj Križanić (Georgius Crisanius, 1617?-1683) travelled extensively through Croatia, Austria, Italy, Poland-Lithuania, Turkey, and Russia, spending the years 1661-1676 in exile in Tobolsk, Siberia. Križanić left seven works dealing with specific problems of music theory and history. The treatise "De Musica" treats different performing practices among various nations and within various genres. Križanić's output is transnational, transcultural, transconfessional and interdisciplinary in characher and approach. His thought belongs to cosmopolitism and Enlightenment of the 18th Century, but his ideas will be studied only later by Tzar Peter the Great, Russian nineteenth-century slavophiles and twentieth-century South Slavic socio-political theorists.
Juraj Križanić; "De Musica"; performing practices
Diasporas' thematic issue: "Musiques nomades: Objets, réseaux, itinéraires (Europe, XVIIe-XIXe siècles)"
nije evidentirano
nije evidentirano
nije evidentirano
nije evidentirano
nije evidentirano