hrvatski

Filozofska paradigmatičnost kao književni simbol u stvaralaštvu Cristine Campo

This paper is intended to explore the modes constituting internal philosophicity as a constant structural trait of Cristina Campo’s production, occasionally turned into an immediate ontological or gnoseological instance. The analysis also focuses on intertextual aspect in regard to similarities between Andrea Emo’s speculative thought and Campo’s understandings which may have influenced it. Those affinities are underscored in the case of the thinker’s "Notebooks of Metaphysics", as well as in their common epistolary collection, by taking into account conceptual topoi (motifs of memory, myth, fairy tale and artistic representation). Moreover, it is aimed to determine the presence of traditional paradigms such as Nietzsche’s, somewhere evoked in conjunction with Simone Weil’s views, while comparative counterpoint can be found in compositional features of Hugo von Hofmannsthal’s work. Likewise, as theorized by María Zambrano, Campo promotes vision of poetry and philosophy as unitarily intervowen, resulting in poetic reflectiveness. Her poetising implies therefore philosophical polyvalence. The paper includes significant excerpts from Campo’s writings translated into Croatian.

filozofske paradigme ; Cristina Campo ; Andrea Emo ; književna simbologija ; mitologija ; Simone Weil ; Hugo von Hofmannsthal ; poetizirajuća misao

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