Nalazite se na CroRIS probnoj okolini. Ovdje evidentirani podaci neće biti pohranjeni u Informacijskom sustavu znanosti RH. Ako je ovo greška, CroRIS produkcijskoj okolini moguće je pristupi putem poveznice www.croris.hr
izvor podataka: crosbi !

Suvremeno kazalište i publika ili od prezira publike do opravdanja njezinog bijega (CROSBI ID 643694)

Prilog sa skupa u časopisu | izvorni znanstveni rad | domaća recenzija

Sanja Nikčević Suvremeno kazalište i publika ili od prezira publike do opravdanja njezinog bijega // Dani Hvarskog kazališta / Boris Senker (ur.). 2016. str. 149-173

Podaci o odgovornosti

Sanja Nikčević

hrvatski

Suvremeno kazalište i publika ili od prezira publike do opravdanja njezinog bijega

The role of the audience in the theatre dramatically changed from equal participants in periods of ritual theatre (Classicism, Middle Ages) to the so-called “imitating” periods (Renaissance and Neoclassicism) where audience needed specialized knowledge to watch a play. The twentieth century deepened the gap between mainstream theatre and audience completely. Since directors'/ post dramatic theatre, which is for the most part violent, shocking and non-communicative, started dominating the mainstream theatre, audience started protesting. Mainstream theatre and theory reacted promptly and declared audience incompetent calling them “backward, uneducated and uninformed". In response, audience started leaving theatre in eighties which seriously worried financiers but not theatres. To avoid complaints about lack of audience directors cut down theatre auditoriums, searched for new (smaller) facilities, justified a small number of performances by co productions, and sometimes manipulated with audience number data.

Kazališna publika; Hrvatsko kazalište; postmoderno kazaište; dvadeseto stoljeće

nije evidentirano

engleski

Contemporary Theatre and Audience or from Audiences' Loath to Justification of Its Runaway

nije evidentirano

Theatre Audience; Croatian theatre; Postmodern theatre; twenty century

nije evidentirano

Podaci o prilogu

149-173.

2016.

nije evidentirano

objavljeno

Podaci o matičnoj publikaciji

Dani Hvarskog kazališta

Boris Senker

Zagreb : Split: Hrvatska akademija znanosti i umjetnosti (HAZU) ; Književni krug Split

1849-0158

Podaci o skupu

43. Dani Hvarskoga kazališta. Pučko i popularno

predavanje

11.05.2016-14.05.2016

Hvar, Hrvatska

Povezanost rada

Znanost o umjetnosti