engleski

Political power and humanist identities in public iconography of Zadar under Venetian rule

Paper reads local, communal or regional and stately, general identities on some examples of public architecture in 16th century Zadar ; the Porta Terraferma by Michele Sanmichelli and The Monument to the Battle of Lepanto. A close reading of iconographical, structural and formal elements of architecture or art piece, and subsequent cultural contextualization brings us to a much deeper level of understanding their contemporary contexts.

Zadar, Venice, humanism, political imagery, arch

nije evidentirano