hrvatski

Arhitekturna risba kot izkušnja

Conceptual drawing still remains an elementary tool of an architect in spite of all modern technical instruments and technology. Computer drawing will never substitute the elementary and intuitive connection between the eye, the brain and the hand. The material trace (line) freezes every single phase, variant or attempt in the creative process, and all that is needed is a single pen and a paper. Drawings as an universal means of communication facilitates collaboration among various experts, but it also represents a dialogue between the author and himself. All this and other advantages and aspects of free-hand drawing are brought to one’s attention. The greatest significance of the book is that it contains over one hundred drawings, all made by the author, during his long-lasting experience as an architect, ranging from field sketches of existing buildings and ambiences to representative and technical drawings. One could perhaps feel a certain kind of nostalgia for the past and the author’s worry about the hand drawing falling into oblivion. The presumption could be that the author’s intention was to offer an inspiration for the development of drawing skills through which one can gain a new perspective of the environment and an insight into one’s personal inner world.

Crtež, skica, nacrt, arhitekt

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