hrvatski

Beč - International Symposium "European Voices: Multipart Singing on the Balkans and in the Mediterranean, 11.-13. 03. 2005.

Osvrt na znanstveni skup "Europski glasovi: Višeglasno pjevanje na Balkanu i Sredozemlju", koji se u organizaciji Instituta za istraživanje folklorne glazbe i etnomuzikologiju (Institut für Volksmusikforschung und Ethnomusikologie, Universität für Musik und darstellende Kunst, Wien) održao u Beču je od 11. do 13. ožujka 2005. Simpozij je rezultat međunarodnog projekta "Multipart Singing on the Balkans and in the Mediterranean" kojega je bečki Institut, na čelu s ravnateljicom Gerlinde Haid i voditeljem projekta Ardijanom Ahmedajom, pokrenuo 2003. godine. Ideja za pokretanjem projekta potekla je iz potrebe da se istraživanja višeglasnog pjevanja ovih prostora, često ograničena samo na lokalnu ili užu regionalnu razinu, međusobno povežu, odnosno usmjere k razumijevanju sličnih ili istih glazbenih fenomena širega područja, bez obzira na politička i državna razgraničenja. Izlaganja i diskusije ovoga simpozija ukazala su na niz obilježja koja su zajednička predstavljenim područjima. Organizirano višeglasno pjevanje, pjevanje prigodom javnih rituala (procesija) i dijaloško improvizacijsko pjevanje (glazbeni dueli) - samo su neke od zajedničkih karakteristika glazbenih kultura južne Europe. Istodobno, svako od predstavljenih područja (lokaliteta), stilova i žanrova krase posebnosti lokalnih načina glazbovanja kao odgovori lokalnih zajednica na različite socijalne, ekonomske i političke promjene. /// Report about the meeting of the project "Multipart Singing on the Balkans and in the Mediterranean" financed by the Österreichischer Fonds zur Förderung der wissenschaftlichen Forschung (Austrian Science Fund), organized by the Institut für Volksmusikforschung und Ethnomusikologie, Wien. The idea of the project is based on an analysis of the actual situation of the research on European multipart folk music that appears to be a contradiction per se. On the one hand this kind of music is rated highly by the researchers and receives continuously support at national level, and on the other hand there is no initiative so far with the aim of bringing it into the focus of international ethnomusicological research in order to find out regional characteristics irrespective of political borders. In that case, precedence was given to vocal music as it reveals a more complex and as a result more informative image of regional peculiarities. By showing relations between text and music, between textual content and text that is sung, parallelisms and differences in comparison with songs for one voice, it is possible to form a clear picture of the importance of multipart songs within the fund of all songs of the respective region. In addition, the influence of the accompanying instruments as well as the dance movements of the multipart dance songs have to be taken into account. European South has been selected as target region since it has very much to offer on that score ; strictly speaking, European SouthWest and SouthEast that experienced a different historical and cultural development. Comparative musicological studies of this subject have been carried out very sporadically.

višeglasje; Mediteran; Balkan

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