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Modern Klapa Movement – Multipart Singing as a Popular Tradition (CROSBI ID 37559)

Prilog u knjizi | izvorni znanstveni rad

Ćaleta, Joško Modern Klapa Movement – Multipart Singing as a Popular Tradition // European Voices I. Multipart Singing in the Balkans and the Mediterranean / Ardijan Ahmedaja and Gerlinde Haid (ur.). Beč: Böhlau Verlag, 2008. str. 159-177

Podaci o odgovornosti

Ćaleta, Joško

engleski

Modern Klapa Movement – Multipart Singing as a Popular Tradition

The klapa’ s popularity is a crucial factor for the endurance and development of the klapa multipart singing style. Popularity, in this case, is the recognition of the specific vocal style of a genre within the local or broader community, in which a particular multipart singing style exists. As seems to be common throughout the Mediterranean basin, one of the multipart singing styles became a synonym for the singing of particular region, island or country. Notions such as popularity, modernity, and movement, as well as the klapa movement, klapa community, klapa world, klapa population, klapa scene – terminology that has not had much in common with the purely sonic musical characteristics of multipart singing – helped to explain the present context and status of klapa singing, the traditional multipart singing that ranges from a singing style to the particular musical movement.

ethnomusicology, anthropology of music, popular music movement, klapa singing

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Podaci o prilogu

159-177.

objavljeno

Podaci o knjizi

European Voices I. Multipart Singing in the Balkans and the Mediterranean

Ardijan Ahmedaja and Gerlinde Haid

Beč: Böhlau Verlag

2008.

978-3-205-78090-8

Povezanost rada

nije evidentirano