engleski

Reflections on the History of Dalmatian Culture and Art in the Immediate Post-War Period

This paper deals with forming an idea of the old Dalmatian art and urban heritage within the new cultural paradigm that was created during the 1950s in Yugoslavia. It turns out that the period, marked in politics by the escalation of conflict between Yugoslavia and Italy, due to the Free Territory of Trieste, was one of the most encouraging periods for the development of professional paradigm in Croatian art history. Cvito Fisković, Grgo Gamulin, Ivo Petricioli and Kruno Prijatelj by exploring the Dalmatian cultural heritage, ranging from artists so- called Schiavoni to urbanism, recognised artistic discontinuities and the composite character of Dalmatian culture. One of the main topics of their research was the role of ethnic mass in creating Dalmatian art and cultural landscape as whole. In the Fifties, in accordance with the new cultural paradigm, the image of old Dalmatian art was formed, which is still largely present in Croatian historiography.

Cvito Fisković ; Ivo Petricioli ; Grgo Gamulin ; Kruno Prijatelj ; Free Territory of Trieste

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