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Pregled bibliografske jedinice broj: 349199

Časopis

Autori: Blažević, Marin
Naslov: Actor / Spectator between Oppression and Expression
Izvornik: Časopis za izvedbene umjetnosti Frakcija / Performing Arts Journal Frakcija (1331-0100) 12 (2007), 43 / 44; 108-122
Vrsta rada: članak
Ključne riječi: actor; spectator; oppression; expression
Sažetak:
In their own fashion, the performances Fifth Gospel, directed by Branko Brezovec, and Deleted Messages by performance company BADco. are dealing with the pressing issues such as social and political surveillance, manipulation and repression, human rights violations, terrorism, war crimes, civil liberties, strategies of resistance, the manifestation and span of individual freedom. The essay considers mechanisms and effects of functioning and developing of the representational situation that theatrical performance establishes through the complex relations between the performer/actor and the spectator. In their own way, the two performances place the spectator in the position of the one who is video-recorded or captured by the gaze from the stage and monitored by the actors/performers, literally manipulated and intimidated by their physical acts or imprisoned into a scenery which represents a concentration camp barrack and exposed to the aggression of extreme sounds and images. What is more, one of the performances brings the spectator face to face with the freedom of expression, verbal and physical communication, i.e. with the call for the actual participation, the challenge to perform in the organised environment of aesthetic performance, or else – to submit to repression of theatrical convention.
Projekt / tema: 264-2641300-2640
Izvorni jezik: ENG
Current Contents: NE
Citation Index: NE
Kategorija: Znanstveni
Znanstvena područja:
Znanost o umjetnosti
Tiskani medij: da
Časopis izlazi u samo elektroničkom izdanju: NE
Google Scholar: Actor / Spectator between Oppression and Expression
Upisao u CROSBI: mblazevic@adu.hr (mblazevic@adu.hr), 11. Svi. 2008. u 14:42 sati



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