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Pregled bibliografske jedinice broj: 428432

Časopis

Autori: Peraica, Ana
Naslov: Mind the film: Photographs and films with lost narratives
Izvornik: Afterimage (0300-7472) 37 (2009), 2; 45-49
Vrsta rada: članak
Ključne riječi: film; photography; politics; censorship
Sažetak:
This essay highlights the enforced reception of documentary genres and in particular, the limitations of documentary filmic and photographic images of war through the implementation of socialistic ideology. We must approach all “ historical” documents with skepticism, especially master narratives, and question whether the images have been retouched and/or reinterpreted. Looking at photographs years later, we can grasp which are “ historical” fakes— mis-annotated, staged, or retouched photos— by contrasting them to others or even better, to negatives, if they are left behind. This would, of course, mean interpreting images apart from their captions and contexts, provided by editors and publishing companies, as well as finding extra materials to compare them.
Izvorni jezik: ENG
Kategorija: Znanstveni
Znanstvena područja:
Znanost o umjetnosti
URL Internet adrese: http://www.vsw.org/afterimage/current-issue-full.html
http://www.vsw.org/afterimage/current-issue-full.html
URL cjelovitog teksta:
Google Scholar: Mind the film: Photographs and films with lost narratives
Upisao u CROSBI: aperaica@ffri.hr (aperaica@ffri.hr), 29. Ruj. 2009. u 14:53 sati



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