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Autori: Jukić, Tatjana
Naslov: The Awful Truth: On Metonymic Rationality in Hawks and Cavell
Izvornik: Studia Romanica et Anglica Zagrabiensia (0039-3339) LX (2015); 99-115
Vrsta rada: članak
Ključne riječi: Stanley Cavell; Howard Hawks; American cinema; philosophy of film; metonymy
When Stanley Cavell analyzes Hollywood comedies of remarriage, he mobilizes their narratives as the platform from which to address America as a political and a philosophical project. This is also where Cavell acknowledges the affinity of the cinematic narrative and psychoanalysis, most notably perhaps in his sustained interest in the Hollywood woman as a spectacle of crisis and critique. With this in mind, I propose to discuss the Cavellian woman, of his cinema books, who dominates the “green world” of the Hollywood remarriage comedy: the bucolic story-space which Cavell associates with the Emersonian vision of America and identifies as definitive to its critical character. I focus however on the comedy in which there seems to be no climactic green world – Howard Hawks’ His Girl Friday (1940) – and argue that Hawks’ woman mobilizes metropolitan courtrooms and the adjacent spaces in a similar fashion, as if to suggest that the Emersonian green world is not absent from Hawks’ film but rather metonymic to the positions America would assign to (pure) reason. Finally, I show how this Cavellian complex corresponds to Gilles Deleuze’s philosophical fascination with woman, film and America.
Projekt / tema: HRZZ-IP-2013-11-1543
Izvorni jezik: ENG
Kategorija: Znanstveni
Znanstvena područja:
Znanost o umjetnosti
URL Internet adrese:
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Google Scholar: The Awful Truth: On Metonymic Rationality in Hawks and Cavell
Upisao u CROSBI: Tatjana Jukić-Gregurić (, 24. Lis. 2016. u 20:00 sati

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