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Pregled bibliografske jedinice broj: 854263

Zbornik radova

Autori: Sanja Nikčević
Naslov: Dramski repertoar HNK u Zagrebu za vrijeme Prvoga svjetskog rata ili nastavak dotadašnje poetike, politike i organizacije
( Drama Repertoire of Croatian National Theatre in Zagreb during First World War or The Continuation of former Poetics, Politics and Organization )
Izvornik: Dani hvarskoga kazališta: Prvi svjetski rat u kulturnom pamćenju / Boris Senker (ur.). - Zagreb/Split : HAZU/Književni krug Split , 2015. 356-383 (ISBN: 978-953-163-412-0).
Dio CC časopisa: NE
ISSN: 1849-0158
Skup: Dani hvarskoga kazališta: Prvi svjetski rat u kulturnom pamćenju
Mjesto i datum: Hvar, Hrvatska, 7.-10.05.2014.
Ključne riječi: Hrvatska drama; hrvatsko kazalište; I sv. rat; Hrvatsko narodno kazalište
( Croatian drama; Croatian theatre; I WW; Croatian national theatre )
Sažetak:
The repertoire of the Croatian National Theatre in Zagreb exhibited no significant changes (political, aesthetical nor organizational) during World War I in relation to preceding seasons. In period from June 28th 1914 to November 11th 1918, 109 premier plays were staged (same as in preceding four years). Programme itself corresponds with the trends of the 19th century (plays, dramas, well- made plays with folk, bourgeois and history themes, comedies and farces) with occurrences of new poetics (realism, modernism etc.) and staged texts origin from 18 different countries, proving obvious pertinence to European theatre space. Domestic texts are dominant (28) and there is no significant change in number of texts coming from German- speaking territories (27) in relation to preceding seasons, which is a reflection of dominant European dramatics of the 19th century. In spite of three cases of interdiction in four war years, this repertoire does not account for oppression of the Monarchy but on the contrary, demonstrates that the theatre followed political aspirations of independency that is to say Slavic union, even in the time of dominance of the Monarchy. Corpus constituted from 109 plays holds more than the fifth contemporary writers’ text from enemy countries (French and British comedy and Russian drama) and there is also a presence of texts which advocate Proslavic union, during and after the war. End of the World War I brings a political change (staging of primarily Slavic texts and ban of German) but significant turn of the theatre poetics did not occurre until the end of the World War II.
Vrsta sudjelovanja: Predavanje
Vrsta prezentacije u zborniku: Cjeloviti rad (in extenso)
Vrsta recenzije: Domaća recenzija
Izvorni jezik: HRV
Kategorija: Znanstveni
Znanstvena područja:
Znanost o umjetnosti
Puni text rada: 854263.nikevi_repertoar_hnk_u_1_sv_ratu.pdf (tekst priložen 7. Sij. 2017. u 19:36 sati)
Tiskani medij: da
Upisao u CROSBI: Sanja Nikčević (sanja.nikcevic@uaos.hr), 7. Sij. 2017. u 16:27 sati



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